Saudi Arabie News

Breaking News: Ithra’s Sync Summit Ends with Jaw-Dropping Documentary Premiere!

The Dark Side of Japan: A Documentary Premieres at Ithra

As the Sync Digital Wellbeing Summit came to a close at the King Abdulaziz Center for World Culture, or Ithra, attendees gathered at the Ithra Cinema for the premiere of a documentary titled “The Dark Side of Japan” on Thursday.

An Immersive Experience

Bahraini creative influencer, Omar Farooq, narrated the documentary and was present with his team to engage with the audience after the screening. The film, part of the Sync Spotlight series, delved into the intense relationship between technology and wellness explored throughout the summit.

Shot in Japan, the documentary showcased Farooq as he observed the Japanese people’s addiction to screens in the midst of bustling Tokyo. The film highlighted the dark side of loneliness and disconnection in a world consumed by technology.

A Call to Disconnect

Before the premiere, Farooq urged attendees to disconnect from their phones by placing them in envelopes under their seats. This simple gesture aimed to immerse the audience fully in the documentary experience.

The film took viewers on a journey through Japan, exploring the impact of technology on different aspects of life. From interactions with locals to discussions on city life versus country life, the documentary painted a vivid picture of a society grappling with digital dependence.

Challenging the Audience

Following the screening, Farooq and his team engaged in a panel discussion moderated by Ithra’s head of performing arts and cinema. They explored the broader implications of hyper internet addiction and urged viewers to reflect on their own relationship with technology.

Farooq cautioned the audience that Japan was just one example of a larger societal issue. He challenged viewers to break free from the grip of smartphones and reconnect with the world around them.

Sold-Out Screenings

Due to popular demand, two additional screenings of the documentary were scheduled at the cinema, both of which sold out quickly. The film, primarily in Arabic with some English and Japanese, resonated with audiences seeking a deeper understanding of the digital age.