Traditional way of life meets modernism in To Kill A Mongolian Horse
The era of progress and modernism often signifies the end of traditional ways of life. Director Xiaoxuan Jiang’s film, “To Kill A Mongolian Horse,” brilliantly portrays this theme. Making its MENA region premiere at the Red Sea International Film Festival in Jeddah, the film is a contender for an award at the closing ceremony on Thursday.
An Immersive Journey Through Mongolia
Competing in the “Red Sea: Competition” section against global titles, the Mandarin and Mongolian language film immerses viewers in the barren landscape of Mongolia.
A Captivating Tale of Bond and Tradition
In this 98-minute film, audiences are introduced to Saina, a herdsman with a deep connection to his horse. Inspired by real-life events, the director’s encounter with Saina in Mongolia led to the creation of a fictionalized version of his life in the movie.
Apart from his duties as a herdsman, Saina also participates in a show depicting Mongolia’s past. His daring performances captivate audiences, providing financial support for his family. The film explores pressing issues like climate change and drought, while highlighting Saina’s struggles to hold onto tradition in the face of a changing world.
A Cinematic Masterpiece
The film’s storytelling is gripping, showcasing the emotional journey of Saina as he navigates the shifting landscape of his life. The cinematography, captured by Tao Kio Qiu, beautifully frames the bond between Saina and his horse, offering moments of solace and permanence amidst uncertainty.
Despite the desolate landscape, the vibrant colors and unique costumes worn by the actors provide a visually stunning contrast. With the final deliberations approaching, there is a high likelihood that this compelling film will capture the attention of jury head Spike Lee.