AlUla’s Maraya concert hall showcases hidden gems in Saudi art
The Maraya concert hall in AlUla is currently hosting a captivating exhibition titled “More than Meets the Eye,” featuring artworks from private collections in Saudi Arabia. Some of these pieces are being shown publicly for the first time, offering a unique glimpse into the country’s art scene.
Exploring themes of identity, poetry, and homeland
The exhibition spans decades, from the 1950s to the present day, showcasing a diverse range of artworks including paintings, films, and installations. Themes of identity, poetry, and homeland are explored through the pieces on display, providing a rich tapestry of Saudi artistic expression.
Highlighting the role of collectors in Saudi Arabia
Dr. Effat Abdullah Fadag, the show’s Saudi curator, emphasizes the importance of collectors in the country’s art ecosystem. She traveled across the Kingdom to meet with collectors and hear the stories behind their collections, revealing the deep passion and dedication that drives art collection in Saudi Arabia.
Uniting generations of Saudi artists
One of Fadag’s goals was to bring together Saudi Arabia’s former and current generations of artists, creating a dialogue between different aesthetics and styles. By showcasing artworks that explore similar issues from different perspectives, the exhibition highlights the diversity and richness of Saudi artistic expression.
Seven highlights from the exhibition
Here are seven standout pieces from the exhibition, which will run until April 24:
Abdulhalim Radwi’s ‘Untitled’ (1978)
This painting by the late Makkah-born artist Abdulhalim Radwi is a mesmerizing abstract representation of buildings in Makkah, set against a spiral background. The piece reflects the artist’s deep connection to his hometown and his unique artistic vision.
Ahmed Mater’s ‘Cowboy Code’ (2012)
Ahmed Mater’s striking piece ‘Cowboy Code’ is a powerful commentary on cultural influences in Saudi Arabia, using hundreds of red plastic toy gun caps to create a manifesto for virtuous behavior. The artwork challenges Western imperialism and explores the intersection of traditional and modern values.
Ali Alruzaiza’s ‘Purity’ (2006)
Ali Alruzaiza’s intricate piece ‘Purity’ showcases Saudi architectural motifs in a stunning display of geometric designs and floral patterns. The artwork symbolizes the purity of relationships and the essence of community, reflecting the artist’s deep connection to his cultural heritage.
Fahad Hajailan’s ‘Untitled’ (2001)
In this captivating portrait, Fahad Hajailan explores the strength and power of the female figure through a unique color palette and expressive composition. The artwork symbolizes the balance between movement and unity, capturing the essence of female empowerment.
Shadia Alem’s ‘Supreme Kaaba of God, No. 4’ (2012)
Shadia Alem’s collage ‘Supreme Kaaba of God, No. 4’ examines the evolving landscape of Makkah, highlighting the tension between spirituality and modernity. The artwork invites viewers to reflect on the physical and internal changes happening in the city, offering a thought-provoking commentary on cultural transformation.
Muhannad Shono’s ‘Letters in Light (Lines We Write)’ (2022)
Muhannad Shono’s monochrome piece ‘Letters in Light’ explores spirituality and identity through a meditative experience using steel, thread, and light projection. The artwork invites viewers to delve into their inner selves and gain insight into the external world through the interplay of light and darkness.
Adel Al-Quraishi’s ‘Ateeq, the Bedouin, Desert of Nafud’ (2015)
Adel Al-Quraishi’s striking photograph captures the essence of Saudi heritage, depicting an elderly Bedouin man pouring coffee with grace and confidence. The artist’s work focuses on documenting the people and places of Saudi Arabia, shaping contemporary art practices through his dedication to preserving the country’s rich cultural heritage.