The Middle East Institute Showcases Powerful Works by Female Photographers from the Arab World
The Middle East Institute in Washington DC is currently featuring a captivating exhibition curated by acclaimed photographer Rania Matar. Titled “Louder Than Hearts,” the exhibition showcases the work of 10 female photographers from the Arab world and Iran, including Matar herself, until October 4.
Tasneem Al-Sultan: ‘Diversity Within Saudi Weddings’
One of the featured artists is Tasneem Al-Sultan, a Riyadh-based photographer known for her series “Saudi Tales of Love.” Through her lens, Al-Sultan explores the complexities of marriage, tradition, and individual choice within Saudi weddings, shedding light on the societal constraints faced by Saudi women.
Her work has received global recognition, being featured in prestigious platforms like Time’s “Lightbox” photo series and the international photography fair Paris Photo.
Rania Matar: ‘Farah (In Her Burnt Car)’
Rania Matar’s photography captures intimate moments that transcend borders and cultures, focusing on themes of personal and collective identity through images of women in the US and the Middle East. Her series “Where Do I Go? Fifty Years Later” explores the aftermath of the Beirut explosion and the echoes of Lebanon’s civil war.
Rehaf Al-Batniji: ‘Malak’
Paris-based photographer Rehaf Al-Batniji presents a unique perspective on Gaza through her series “(Shatt) The Beach & (Shatta) The Chili Pepper,” depicting the social and cultural anthropology of her hometown. Her work reflects the resilience and vibrancy of Gaza’s communities with a touch of hopefulness, using color as a tool of resistance.
Carmen Yahchouchi: ‘Victoria’
Lebanese photographer Carmen Yahchouchi’s work delves into the enduring impact of the Lebanese Civil War on women, highlighting their roles in times of chaos and devastation. Her series “My Mother’s Gun” captures the intimate spaces of human experience, offering glimpses into the resilience and strength of Lebanese women.
Tanya Habjouqa: ‘Inner Resistance’
Jordanian photographer Tanya Habjouqa’s series “Occupied Pleasures” provides a multidimensional portrayal of finding joy amid adversity in the midst of geopolitical conflicts in the West Bank, Jerusalem, and Gaza. Through her sharp sense of humor, Habjouqa sheds light on the absurdities produced by a 47-year occupation.